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I'm digging up this old thread I had started some years ago about Zebra (short story, I've bought it at that time but nearly never used it, then sold it a year and half ago. My curent sound sources are a 18U eurorack, Ableton Live and some instruments (Sampler, Operator and Collision), a Shruthi-1 w/ SMR filter and an Ambika w/ SVF filter. My main use of the Ambika is for pads and some tiny polyphonic stuffs. I'm mainly doing some kind of ambient/atmospheric sometime sequenced, sometime abstract music. Building the Ambika was my biggest SDIY challenge (and it went perfectly), but I'm not comfortable with two things : navigating through menus (event with the big screen) is really counter productive for me, and the "steppiness" of some control (filter sweep, for exemple) is not to my taste (especially coming from an analog modular background). I've tested again Zebra during the last week and was more productive than during the last six months dialing and programming sounds on the Ambika. I really like the Zebra's concept "you only see on the screen the modules than you need". Also, most of the main parameters can be viewed in one screen. As it is a plug-in, I can use several instances of Zebra. I think I will buy it again, but let's hear your opinion/experience ? Soundwise, the numerous filters and the wavetables sound really nice, maybe a little less "crunchy" than the Ambika, but the sound palette is definitively wider. Grillo wrote:Ace is my favorite uhe synth, zebra is also extremely good. I think i am the only one but i prefer them to diva. Or at least i cannot get great patches out of diva, dunno why.Ī couple Diva notes (some are probably too obvious):įilter cutoff by default is pretty low so things will sound dull by default. Volume is really high by default so it's easy to blow things out if you play more than a couple notes without adjusting the volume. Nico Herz is a top notch sound designer and in my opinion you can’t go wrong with picking up any of his soundsets.I prefer regular ADSRs to the Moog-style envelopes, so give those a try. #U he zebra2 review freeSeeing as there are already thousands of free sounds available for Zebra, any commercial set really needs to offer something worthwhile. There’s hardly a dud to be found in the soundset, but the pads section is my favorite. #U he zebra2 review PatchThe “granular beauty” patch is just gorgeous. Even though this set has a focus on classic analogue sounds there is still a lot of unique material in here. Never too experimental, never bland either. The set features a wonderful blend of useable, bread and butter type sounds. BigTone already impressed me with his previous soundsets (LinPlug Albino, Camel Audio Alchemy, and Tone2 ElectaX) and Stratospheres does not disappoint either. To be honest I already knew I was going to like this set before even checking it. Like: High quality, expressive sounds, especially pads section is amazing With a focus on classic analogue type sounds the set includes deep bass sounds, lush house chord stabs, polysynth sounds, 303 acid type bleeps, a large selection of huge pads, and much more. The sounds are divided into eight categories: The patch names indicate which controls are used, and Zebra’s info panel has detailed information for each patch. The sounds are generally extremely expressive, with many patches having modwheel, pitchbend, velocity and aftertouch assigned. The Stratospheres soundset includes a total of 136 patches for Zebra. ![]() The main focus of this soundset is on meticulous emulations of classic analogue sounds – but several surprises are also included! Great care has been taken to ensure that all patches remain rich and expressive across several octaves: all sounds are truly playable… Stratospheres is a must for all aficionados of analogue synthesis! One of them is Stratospheres, the sequel to the acclaimed Chronospheres soundset by BigTone Studios. Hot on the heels of the recent updates for Zebra follows the release of three new patch libraries for the virtual modular synthesizer.
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